Piano Quintets

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Quintets


First name: Edouard
Last name: Lalo
Dates: 1823-1892
Category: Quintet
Nationality: French
Opus name: Adagio in A flat Major for piano quintet
Publisher:
Peculiarities: http://musicalics.com/fr/compositeur/Adagio-quintette-piano-cordes
Information: From Wikipedia, the free encyclopedia Édouard-Victoire-Antoine Lalo (27 January 1823 – 22 April 1892) was a French composer. Easily his most celebrated piece is his Symphonie espagnole, a popular work in the standard repertoire for violin and orchestra. Lalo was born in Lille (Nord), in northernmost France. He attended that city's conservatoire in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under François Antoine Habeneck. Habeneck conducted student concerts at the Conservatoire from 1806 onwards and became the founding conductor of the Orchestre de la Société des Concerts du Conservatoire in 1828. (Berlioz, in his memoirs, denounced Habeneck for incompetence in conducting Berlioz's own Requiem.) For several years, Lalo worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and later second violin. Lalo's earliest surviving compositions are songs and chamber works (two early symphonies were destroyed). Julie Besnier de Maligny, a contralto from Brittany, became his bride in 1865. She aroused Lalo's early interest in opera and led him to compose works for the stage, of which Le Roi d'Ys is the most notable. Unfortunately, these works were never really popular; despite their originality, they incurred considerable criticism for being allegedly too progressive and Wagnerian. This led Lalo to dedicate most of his career to the composition of chamber music, which was gradually coming into vogue for the first time in France, and works for orchestra. Although Lalo is not one of the most immediately recognized names in French music, his distinctive style has earned him some degree of popularity. Symphonie espagnole for violin and orchestra still enjoys a prominent place in the repertoire of violinists and is known in many classical circles simply as "The Lalo". Every now and then Lalo's Cello Concerto in D minor is revived. His Symphony in G minor was a favorite of Sir Thomas Beecham (who recorded it) and has been occasionally championed by later conductors too.