Piano Quintets

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Quintets


First name: Engelbert
Last name: Humperdinck
Dates: 1854-1921
Category: Quintet
Nationality: German
Opus name: Quintett für 2 Violinen, Viola, Violoncello und Klavier, G-Dur;
Publisher: Weinberger
Peculiarities: Weinberger 1877-11; https://portal.dnb.de/opac.htm?method=showFullRecord&currentResultId=%22%5C%22Klavier%22+and+%22Quintette%5C%22%22%26any&currentPosition=36; http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/dlDisplay.do?vid=OXVU1&
Information: From Wikipedia, the free encyclopedia Engelbert Humperdinck (1 September 1854 – 27 September 1921) was a German composer, best known for his opera Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province and died at the age of 67 in Neustrelitz, Mecklenburg-Western Pomerania. After receiving piano lessons, Humperdinck produced his first composition at the age of seven. His first attempts at works for the stage were two Singspiele written when he was 13. His parents disapproved of his plans for a career in music and encouraged him to study architecture. Nevertheless, he began taking music classes under Ferdinand Hiller and Isidor Seiss at the Cologne Conservatory in 1872. In 1876, he won a scholarship that enabled him to go to Munich, where he studied with Franz Lachner and later with Josef Rheinberger. In 1879, he won the first Mendelssohn Award given by the Mendelssohn Stiftung (foundation) in Berlin. He went to Italy and became acquainted with Richard Wagner in Naples. Wagner invited him to join him in Bayreuth and during 1880 and 1881 Humperdinck assisted in the production of Parsifal. He also served as music tutor to Wagner\\\'s son, Siegfried. After winning another prize, he traveled through Italy, France, and Spain and spent two years teaching at the Gran Teatre del Liceu Conservatory in Barcelona. In 1887, he returned to Cologne. He was appointed professor at the Hoch Conservatory in Frankfurt in 1890 and also teacher of harmony at Julius Stockhausen\'s Vocal School. By this time he had composed several works for chorus and a Humoreske for orchestra, which enjoyed a vogue in Germany. In 1896 the Kaiser made Humperdinck a Professor and he went to live at Boppard. Four years later, however, he went to Berlin where he was appointed head of a Meister-Schule of composition. His students included the Basque composer Andrés Isasi.While composing those works, Humperdinck held various teaching positions of distinction and collaborated in the theater, providing incidental music for a number of Max Reinhardt\\\'s productions in Berlin, for example, for Shakespeare\\\'s The Merchant of Venice in 1905. Though recognized as a disciple of Wagner rather than an innovator, he was nevertheless the first composer to use Sprechgesang—a vocal technique halfway between singing and speaking used later by Arnold Schoenberg—in his melodrama Die Königskinder (1897). In 1914, Humperdinck seems to have applied for the post of director of the Sydney Conservatorium of Music in Australia, but with the outbreak of World War I it became unthinkable for a German to hold that position, and the job went instead to Belgium\\\'s Henri Verbrugghen. Also in 1914, Humperdinck signed the Manifesto of the Ninety-Three, declaring support for German military actions during early World War I. On 5 January 1912, Humperdinck suffered a severe stroke. Though he recovered, his left hand remained permanently paralyzed. He continued to compose, completing Gaudeamus with the help of his son, Wolfram, in 1918. On 26 September 1921, Humperdinck attended a performance of Carl Maria von Weber\\\'s Der Freischütz in Neustrelitz, Wolfram\\\'s first effort as a stage director. He suffered a heart attack during the performance and died the next day from a second heart attack.