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From Wikipedia, the free encyclopedia
Sir Eugene Aynsley Goossens (26 May 1893 – 13 June 1962) was an English conductor and composer.
He was born in Camden Town, London, the son of the Belgian conductor and violinist Eugène Goossens (fils, 1867–1958) and the grandson of the conductor Eugène Goossens (père; 1845–1906). He studied music at the age of ten in Bruges, three years later in Liverpool, and in 1907 in London on a scholarship at the Royal College of Music under composer Charles Villiers Stanford and the violinist Achille Rivarde among others. He won the silver medal of the Worshipful Company of Musicians and was made associate of the Royal College of Music.
He was a violinist in Thomas Beecham's Queen's Hall Orchestra from 1912 to 1915 and performed in the Philharmonic Quartet before coming to attention as Beecham's assistant conductor with a performance of Stanford's opera The Critic (1916). In 1921 he decided to make conducting his career and founded his own orchestra; with this ensemble he made a number of gramophone records for Edison-Bell's Velvet Face label.
For nearly a quarter of a century, he accepted positions at U.S. orchestras. At the invitation of George Eastman he was conductor of the Rochester Philharmonic Orchestra from 1923 to 1931. This post also involved teaching at the Eastman School of Music. During the late 1920s he often conducted for Vladimir Rosing's American Opera Company, an organization which grew out of the Eastman School. From 1931 to 1946 he succeeded Fritz Reiner as the conductor of the Cincinnati Symphony Orchestra. In a tribute to Goossens on his departure for Australia, nine American composers collaborated on Variations on a Theme by Eugene Goossens, for orchestra. The composers were Ernest Bloch, Aaron Copland, Paul Creston, Anis Fuleihan, Roy Harris, Walter Piston, Bernard Rogers, Roger Sessions and Deems Taylor, with Goossens himself writing the finale.
Goossens spent nine years in Australia, from 1947 to 1956. He conducted the Sydney Symphony Orchestra and other groups, and was the director of the NSW State Conservatorium of Music. He held these positions concurrently until March 1956, when he was forced to resign after a major public scandal, only a year after being knighted.
In the early 1950s, Goossens met Rosaleen Norton, the so-called "Witch of Kings Cross". Norton was known as an artist of the grotesque and for her interest in the occult and erotica, which Goossens secretly shared. They conducted an intense affair, exchanging a number of passionate letters; although Goossens asked Norton to destroy all of them, she kept a bundle hidden behind a sofa.
In early 1956, Goossens visited Europe, unaware that Sydney police were already in possession of his letters to Norton and photographs of her occult activities, which had been stolen from her flat by Sydney Sun reporter Joe Morris, who had infiltrated her supposed "coven". When Goossens returned to Australia on 9 March 1956, he was detained at Sydney Airport, following a tip-off by informants in London; his bags were searched by Customs officials, who found a large amount of what was then considered pornographic material, which included photographs, prints, books, a spool of film, some rubber masks, and sticks of incense.
Although he was not immediately arrested or charged, Goossens naively agreed to attend a police interview a few days later, where he was confronted with photographs of Norton's "ceremonies" and his letters. Faced with the evidence of his affair with Norton — which left him open to the serious charge of "scandalous conduct" — Goossens was forced to plead guilty to the pornography charges. He paid a fine of ?100; more significantly, the scandal ruined his reputation and forced him to resign from his positions. He returned to England in disgrace.
He was married three times: to Dorothy Millar from 1919 to 1928 (with whom he had three daughters), to Janet Lewis from 1930 to 1944 (two daughters), and to Marjorie Foulkrod from 1946 to 1962 (childless). At the end of his life he and his wife lived apart, and he was instead joined by a young pianist from Adelaide, Pamela Main.
He died of rheumatic fever and a haemorrhaging gastric ulcer on 13 June 1962 at Hillingdon Hospital in Middlesex. He was buried in St Pancras and Islington Cemetery. He left his estate including copyrights and royalties to "to my faithful companion and assistant Miss Pamela Main".
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