Piano Quartets

Menu

Quartets


First name: Leonid
Last name: Desyatnikov
Dates: 1955
Category: Quartet
Nationality: russian
Opus name: Nach dem Kettfaden von Astor
Publisher:
Peculiarities: See: http://www.verlag-neue-musik.de/verlag/media/content/VNM_%20KaufKat12_Web.pdf
Information: From Wikipedia, the free encyclopedia Leonid Arkadievich Desyatnikov, born: 16 October 1955, Kharkiv, is a Russian composer who first made a reputation with a number of film scores, then achieving greater fame when his controversial opera Rosenthal’s Children was premiered at the Bolshoi Theatre in Moscow. Leonid Desyatnikov was born in 1955 in Kharkiv, Ukraine. He is a graduate of the Leningrad Conservatory, where he studied composition and instrumentation. Desyatnikov has penned four opera, several cantatas and numerous vocal and instrumental compositions. His principal compositions include: Rosenthal’s Children (an opera in two acts; libretto, Vladimir Sorokin), commissioned by the Bolshoi Theatre; Poor Liza (a chamber opera in one act; libretto, Leonid Desyatnikov, after the novel by Nikolai Karamzin); Gift (a cantata based on the verses of Gavrila Derzhavin); The Leaden Echo (a work for voice(s) and instruments based on the poem by Gerard Manley Hopkins); and The Rite of Winter 1949 (a symphony for chorus, soloists and orchestra). Desyatnikov has been collaborating with Gidon Kremer since 1996 as a composer (Wie der Alte Leiermann...; the chamber version of Sketches to Sunset; Russian Seasons) as well as arranging the works of Astor Piazzolla, among which is the tango-operita Maria de Buenos-Aires and Quatro Estaciones Porteñas. Desyatnikov wrote the scores for the films Sunset (1990), Lost in Siberia (1991), Hammer and Sickle (1994), Moscow Nights (Katya Izmailova) (1994), Giselle’s Mania (1995), Prisoner of the Mountains (1996), All That Is Tender (1996), Moscow (2000), His Wife’s Diary (2000) and The Target (2010). Desyatnikov is the author of four operas, the symphony The Rite of Winter 1949, vocal cycles to the poems of Rilke and the OBERIU poets, and several instrumental transcriptions of themes by Ástor Piazzolla. The style of his music is defined by the composer himself as “an emancipation of consonance, transformation of banality and ‘minimalism’ with a human face”. His favourite genre is “a tragically naughty bagatelle”.